KABAK, M. 2021. The Aesthetics of Apocalypse in Emily St. John Mandel’s Station Eleven and Saleema Nawaz’s Songs for the End of the World. Living in the End Times: Utopian and Dystopian Representations of Pandemics in Fiction, Film and Culture , (Nevşehir, Turkey), 58.

KABAK, M., (2021). The Aesthetics of Apocalypse in Emily St. John Mandel’s Station Eleven and Saleema Nawaz’s Songs for the End of the World . Living in the End Times: Utopian and Dystopian Representations of Pandemics in Fiction, Film and Culture (pp.58). Nevşehir, Turkey

KABAK, MURAT. "The Aesthetics of Apocalypse in Emily St. John Mandel’s Station Eleven and Saleema Nawaz’s Songs for the End of the World," Living in the End Times: Utopian and Dystopian Representations of Pandemics in Fiction, Film and Culture, Nevşehir, Turkey, 2021

KABAK, MURAT. "The Aesthetics of Apocalypse in Emily St. John Mandel’s Station Eleven and Saleema Nawaz’s Songs for the End of the World." Living in the End Times: Utopian and Dystopian Representations of Pandemics in Fiction, Film and Culture , Nevşehir, Turkey, pp.58, 2021

KABAK, M. (2021) . "The Aesthetics of Apocalypse in Emily St. John Mandel’s Station Eleven and Saleema Nawaz’s Songs for the End of the World." Living in the End Times: Utopian and Dystopian Representations of Pandemics in Fiction, Film and Culture , Nevşehir, Turkey, p.58.

@conferencepaper{conferencepaper, author={MURAT KABAK}, title={The Aesthetics of Apocalypse in Emily St. John Mandel’s Station Eleven and Saleema Nawaz’s Songs for the End of the World}, congress name={Living in the End Times: Utopian and Dystopian Representations of Pandemics in Fiction, Film and Culture}, city={Nevşehir}, country={Turkey}, year={2021}, pages={58} }