Akademik Veri Yönetim Sistemi
A/Z ITU Journal of the Faculty of Architecture, cilt.12, sa.2, ss.119-129, 2015 (Scopus)
In 1901 German Kaiser Wilhelm II commissioned a fountain in İstanbul as a gift for Sultan Abdülhamid II and his subjects. The fountain was not only a symbol of the amity between these rulers and their two nations, but also stood as an architectural embodiment of its creator. Wilhelm II was personally involved in the design phase; he chose the plan and the style, also supervised the entire creation process. By the time it was completed, it had already become a monument to himself. German in construction and design, the fountain was representative of the revivalist style of its time. It belonged in the Ottoman capital with its Neo-Byzantine style. Besides being born out of Wilhelm II’s personal preferences, the choice of style conveyed fragments of İstanbul’s past as well. Thus, history of the site became one of the factors contributing to the fountain’s design. German Fountain, also known as Kaiser Wilhelm Fountain represented a middle ground between the Ottoman and German cultures of the time. Furthermore, it was to become a souvenir from an era which left profound vestiges in both of these empires and their subsequent future.