“Actress, Valet; Fishmonger and Cook: Or the Formal Autobiography of a Working Woman”.


Creative Commons License

Demir D.

Presentation, pp.18, 2012

  • Publication Type: Other Publication / Presentation
  • Publication Date: 2012
  • Page Numbers: pp.18
  • Open Archive Collection: AVESIS Open Access Collection
  • Istanbul Kültür University Affiliated: No

Abstract

Contrary to the expectations from an eighteenth century autobiography, Charke’s text

discloses next to nothing about its author’s interiority or “private character”, but a

multiplicity of subject positions. Yet, the text is clearly informed by the historical

factors and the material circumstances of the times, and in that respect can be read as

a testimony to the liminality induced by the loss of class privileges, since Charke’s

text underscores a subjectivity precariously placed between the rising middle class

and the working class. It is also possible to posit that Charke was declassed because

she was living at a time when men were starting to dominate occupations that

traditionally belonged to women. Then, the text illustrates the imminent relationship

between gender and work, and exemplifies how a woman forges her subjectivity

while collapsing the boundaries between occupation and gender at a time when homes

were fast becoming the designated places for women.